Profile Dolores Huerta, Co-Founder of the United Farm Workers

Known for:  co-founder and a leader of the United Farm Workers Dates: April 10, 1930 - Occupation: labor leader and organizer, social activist Also known as: Dolores  Fernà ¡ndez Huerta About Dolores Huerta Dolores Huerta was born in 1930 in Dawson, New Mexico. Her parents,  Juan and Alicia Chavez Fernandez, divorced when she was very young, and she was raised by her mother in Stockton, California, with the active help of her grandfather, Herculano Chavez. Her mother worked two jobs when Dolores was very young. Her father watched the grandchildren. During World War II, Alicia Fernandez Richards, who had remarried, ran a restaurant and then a hotel, where Dolores Huerta helped out as she grew older. Alicia divorced her second husband, who had not related well to Dolores, and married Juan Silva. Huerta has credited her maternal grandfather and her mother as the primary influences on her life. Dolores also was inspired by her father, whom she saw infrequently until she was an adult, and by his struggles to make a living as a migrant laborer and coal miner. His union activity helped inspire her own activist work with a Hispanic self-help association. She married in college, divorcing her first husband after having two daughters with him. Later she married Ventura Huerta, with whom she had five children. But they disagreed over many issues including her community involvements, and first separated and then divorced.  Her mother helped her support her continuing work as an activist after the divorce. Dolores Huerta became involved in a community group supporting farm workers which merged with the AFL-CIOs Agricultural Workers Organizing Committee (AWOC). Dolores Huerta served as secretary-treasurer of the AWOC. It was during this time that she met Cesar Chavez, and after theyd worked together for some time, formed with him the National Farm Workers Association, which eventually became the United Farm Workers (UFW). Dolores Huerta served a key role in the early years of farmworker organizing, though she has only recently been given full credit for this. Among other contributions was her work as the coordinator for East Coast efforts in the table grape boycott, 1968-69, which helped to win recognition for the farm workers union. It was during this time that she also became connected with the growing feminist movement including connecting with Gloria Steinem, who helped influence her to integrate feminism into her human rights analysis. In the 1970s Huerta continued her work directing the grape boycott, and expanding to a lettuce boycott and a boycott of Gallo wine.  In 1975, the national pressure brought results in California, with the passage of legislation recognizing the right of collective bargaining for farmworkers, the Agricultural Labor Relations Act. During this period she had a relationship with Richard Chavez, a brother of Cesar Chavez, and they had four children together.   She also headed up the farm workers unions political arm and helped lobby for legislative protections, including maintaining the ALRA. She helped found a radio station for the union, Radio Campesina, and spoke widely, including lectures and testifying for protections for farm workers. Dolores Huerta had a total of eleven children.  Her work took her away from her children and family frequently, something she expressed regret for later. In 1988, while demonstrating peacefully against the policies of candidate George Bush, she was severely injured when police clubbed the demonstrators. She suffered broken ribs and her spleen had to be removed. She eventually won a considerable financial settlement from the police, as well as changes in police policy on handling demonstrations. After her recovery from this life-threatening attack, Dolores Huerta returned to working for the farm workers union.  Shes credited with holding the union together after the sudden death of Cesar Chavez in 1993. Sources Susan Ferriss, Ricardo Sandoval, Diana Hembree (editor). The Fight in the Fields: Cesar Chavez and the Farmworkers Movement. Paperback, 1998.

Social System in Gabriel Marquez’s Chronicle of a Death...

Social System in Gabriel Marquez’s Chronicle of a Death Foretold and Albert Camus’s The Stranger â€Å"Like father, like son† the old saying goes. And naturally this is so, for if the parent lacks morals, logically the child will too. Just as parents shape their children, authority figures shape their societies. Authority figures have great impact on the common people, for if they act in dishonest or fraudulent manners, the society considers it acceptable to do the same. Such reflections between authority figures and society are seen throughout Gabriel Marquez’s Chronicle of a Death Foretold and Albert Camus’s The Stranger. With societies constantly looking to authority figures for guidance, Marquez and Camus satirically depict folly in†¦show more content†¦Thus, the community does not prepare to show the bishop their support for the Church, but instead in hopes that the gifts would bring individual benefits. Through Marquez’s narration, a reader realizes the facade that the society creates. By immediately establishing the religious commun ity as a self-seeking body, Marquez paves the way for a parallelism between the authority figures and society. The religious authority figures referred to within Marquez’s novel, specifically the bishop, prove their hypocrisy according to the morals of Christianity/Catholicism. Commonly accepted, Christianity teaches a person the qualities of forgiveness, acceptance, and love. Thus, a strong religious leader teaches his people this behavior andguides the community to live by such ideals. Ironically, the bishop in Chronicle of A Death Foretold exhibits great apathy toward his people. For some reason that remains unmentioned throughout the novel, the bishop has an aversion to the Caribbean island. In fact, he only blesses the town due to mere obligation. The blessing shows little devotion, for the bishop simply makes â€Å"the sign of the cross in the air opposite the crowd on the pier,† a blessing â€Å"without malice or inspiration†(Marquez 19). As the highest leader of the Church, the bishop ought to promote Christian principles throughout his actions. The

Subliminal Messaging Free Essays

My first reaction to this assignment was if I actually believed in subliminal messages myself. I decided I didn’t but after I did further research, I was shocked. I watched you-tube videos and looked at pictures online of advertising. We will write a custom essay sample on Subliminal Messaging or any similar topic only for you Order Now The biggest shock I found was in the Disney movies. After replaying certain scenes in movies I witnessed subliminal messaging first hand. Most of the messages were sexual references and I was actually quite disturbed by it. For example, in a scene of â€Å"The Little Mermaid†, as Arial was walking up to the podium with her husband to be the priest got an erection. You can clearly see it happening. I never noticed it before until I started doing research on subliminal messaging. I did further research on other Disney animated movies and I found that there were a lot more ‘sexual’ subliminal messages in the movies and advertising that you don’t notice unless you are actually paying attention. Which brings me to my next point, Dr. Brahrami states â€Å"If the brain is busy it can filter our subliminal things. The brains response to subliminal messages is not automatic and depends on how much attention the person is paying†. And that’s when I decided I completely agree. I think since I was actually paying attention and watching out for subliminal messages, I could see them. Most of the time when I’m watching movies I don’t see the sexual, demon or drug related messages companies are putting in their movies and advertising. Which leads me to my question, why would a company based on children put sexual things in a movie made for kids?! Well, then I started to think it was a coincidence to I did more research and found out there was a huge debate during this time when the Arial scene with the priest came out. What I found was that it was the priest’s knee. So for my conclusion of this paper, I think you interpret what you want to see. If your brain is actually searching for these messages, your brain will see what it wants to see. How to cite Subliminal Messaging, Papers

Relationship of Demetrius and Helena Essay Example For Students

Relationship of Demetrius and Helena Essay In the following speech, which uses the technique stichomythia, we understand how strong Demetrius feelings are for Hermia, I frown upon him; yet he loves me still. Hermia is horrible to Demetrius yet he is still besotted with her; she explains that no matter how much she ignores him he still loves her. This ironically is what is happening to Helena. The more I love, the more he hateth me. The nicer she is to Demetrius, the nastier he is to her, thus it is obvious love is not running smoothly for Helena. In Helenas soliloquy she reveals her feelings for Demetrius. She shows the audience how much she cares for him. When she finds out about Hermia and Lysanders plan to run away together she states, I will go tell him of fair Hermias flight. The deep feelings she has for Demetrius lead her to risk their friendship and shows us that when love is not running smoothly it can make you do irrational things and behave out of character. Within this soliloquy Helena also talks about love making you blind claiming: Love looks not with the eyes, but with the mind, and Nor hath loves mind of any judgment taste. When you are in love you only see what you want to. We have heard this before when Egeus explains that a spell had overcome his daughter causing her to only see the good things and not the bad. Helena thinks that Demetrius has made the wrong decision and is lacking judgment because Hermia doesnt actually want him. She believes that he has been beguiled into loving Hermia, once again linking with what Egeus thinks. We find out that Demetrius used to be in love with Helena, So he dissolved and showers of oaths did melt. She is saying metaphorically that when he met Hermia all his feelings for Helena disappeared. Sadly it is evident that her feelings did not change. The whole soliloquy is ironic because he hates her, yet she still loves him. She only sees the worthy things in Demetrius and not how horrible he is to her. True love not running smooth can also crush someones self-esteem as we see when Helena claims, I am as ugly as a bear. She has no confidence and explains how she is Demetrius spaniel. Shakespeare uses this metaphor to emphasize that Helena is prepared to act like a dog; devoted to its owner. Helena also realizes that nothing can hurt more than the person you love not reciprocating your feelings, The wildest hath not such a heart as you. This is believed to be the cruelest thing and is echoed later on in the story in different situations. This argument between Helena and Demetrius carries on into the woods where we notice the change of scene. Shakespeare emphasizes this by the use of rhyming couplets that the characters now speak in to give the magical and spell-like feel. Oberon, the king of the fairies, is conveniently watching the argument. Thou shalt fly him, and he shall seek thy love. Oberon vows to help Helena and tells Puck to use a special potion on Demetrius when Helena is near. The potion will restore harmony within their relationship and love will run smoothly for them. As we are now in the woods we are introduced to the fairies, in particular Titania and Oberon who are the king and queen of the fairies. The fairies were considered bad spirits and people believed that they could curdle milk in a bowl, make fruit rot on trees, change the weather and many other things too. Many people thought they lived in a kingdom of their own and were invisible to humans, but occasionally they allowed themselves to be seen as if in a dream. .u8712d0a056e26a3d9874b35af8bb9224 , .u8712d0a056e26a3d9874b35af8bb9224 .postImageUrl , .u8712d0a056e26a3d9874b35af8bb9224 .centered-text-area { min-height: 80px; position: relative; } .u8712d0a056e26a3d9874b35af8bb9224 , .u8712d0a056e26a3d9874b35af8bb9224:hover , .u8712d0a056e26a3d9874b35af8bb9224:visited , .u8712d0a056e26a3d9874b35af8bb9224:active { border:0!important; } .u8712d0a056e26a3d9874b35af8bb9224 .clearfix:after { content: ""; display: table; clear: both; } .u8712d0a056e26a3d9874b35af8bb9224 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u8712d0a056e26a3d9874b35af8bb9224:active , .u8712d0a056e26a3d9874b35af8bb9224:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u8712d0a056e26a3d9874b35af8bb9224 .centered-text-area { width: 100%; position: relative ; } .u8712d0a056e26a3d9874b35af8bb9224 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u8712d0a056e26a3d9874b35af8bb9224 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u8712d0a056e26a3d9874b35af8bb9224 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u8712d0a056e26a3d9874b35af8bb9224:hover .ctaButton { background-color: #34495E!important; } .u8712d0a056e26a3d9874b35af8bb9224 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u8712d0a056e26a3d9874b35af8bb9224 .u8712d0a056e26a3d9874b35af8bb9224-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u8712d0a056e26a3d9874b35af8bb9224:after { content: ""; display: block; clear: both; } READ: Charlotte Bronte's Jane Eyre Nature in Jane Eyre C EssayHence the title, because in the play Puck states that it is going to be a dream to the characters. Titania and Oberon are significant characters in the play and their relationship is not running smoothly. Their relationship has a big affect on the mortal realm and this involves the audience. Puck is Oberons servant and he tells the audience a lot at the beginning relating to the king and queens relationship. And jealous Oberon would have the child/Knight of his train. Titania has an adopted child and this is what their argument is about. Oberon wants to take the child from Titania because she gives a lot of her attention to him, which makes Oberon very jealous and his immaturity leads him to get revenge on his wife. Oberon also feels threatened by Titania. As he is the male he should be the dominant one, but Titania is a strong character and because of this there is no compromise in their relationship; neither of them is willing to back down in an argument which we can see. The argument has major effects on the mortal world, as we learn from Titanias speech. She speaks in blank verse to show her nobility and how important she is. The atmosphere at this stage is very depressing which Shakespeare emphasises by the fact that no one is happy. This is because of the effects of their argument. One of the effects is on the seasons, The nine-mens- Morris is filled up with mud. The seasons are mixed up and no one knows what season they are in, therefore the crops are unable to grow. At this time the people relied on the seasons and weather so that their crops could grow but now, because of the argument, there is no food. Titania states that they are the parents of the problem and they are the only ones who can sort it out. Oberon hints to the audience that he will get revenge on Titania in some way. Well, go thy way. Thou shalt not from this grove / Till I torment thee for this injury. This shows his anger because Titania will not give him the boy. He acts very childishly and comes across as someone who cannot have his pride destroyed. Titania has disobeyed him; therefore Oberon has to get his own back. When Oberon is talking to Puck he speaks in rhyming couplets. This emphasises the scene they are in but also the fact that they are talking about potions so there is a magical atmosphere. He is discussing the potion that will help restore harmony in the relationship of Demetrius and Helena; however Shakespeare implies that love should not be interfered with. This is ironic because on one hand he is using the potion for a good reason, but on the other he is using it to punish Titania and not compromise, which would be more mature. Here I think the audience feel Oberon should concentrate on his own problem he has with his wife before he deals with other relationships. When the potion is put on peoples eyes as they are sleeping, the first thing they see on waking they fall in love with. Oberon uses the potion for Titania in a way that will cause her to fall in love with a beast or a mortal. The next thing then she, waking, looks upon, Be it a lion, bear or wolf, or bull. This is his way of getting revenge on Titania and once again this shows the audience his lack of compromise and love of deception. When Oberon is speaking to Puck about the flower the potion is made from he talks in rhyming couplets. Shakespeare does this to stress that they are in the woods, and are talking about magical powers; this therefore makes the atmosphere very enchanting. .u0169e7e7cd55434ceda018125de8dcb0 , .u0169e7e7cd55434ceda018125de8dcb0 .postImageUrl , .u0169e7e7cd55434ceda018125de8dcb0 .centered-text-area { min-height: 80px; position: relative; } .u0169e7e7cd55434ceda018125de8dcb0 , .u0169e7e7cd55434ceda018125de8dcb0:hover , .u0169e7e7cd55434ceda018125de8dcb0:visited , .u0169e7e7cd55434ceda018125de8dcb0:active { border:0!important; } .u0169e7e7cd55434ceda018125de8dcb0 .clearfix:after { content: ""; display: table; clear: both; } .u0169e7e7cd55434ceda018125de8dcb0 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u0169e7e7cd55434ceda018125de8dcb0:active , .u0169e7e7cd55434ceda018125de8dcb0:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u0169e7e7cd55434ceda018125de8dcb0 .centered-text-area { width: 100%; position: relative ; } .u0169e7e7cd55434ceda018125de8dcb0 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u0169e7e7cd55434ceda018125de8dcb0 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u0169e7e7cd55434ceda018125de8dcb0 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u0169e7e7cd55434ceda018125de8dcb0:hover .ctaButton { background-color: #34495E!important; } .u0169e7e7cd55434ceda018125de8dcb0 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u0169e7e7cd55434ceda018125de8dcb0 .u0169e7e7cd55434ceda018125de8dcb0-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u0169e7e7cd55434ceda018125de8dcb0:after { content: ""; display: block; clear: both; } READ: Angela's Ashes written by Frank McCourt EssayIn Act 2, Scene 2 Titania is getting ready to go to bed and coincidentally this is when Oberon plays his trick on her, So good night, with lullaby. Her fairies exit the setting and she is left to sleep. Little does she know she will soon wake up and be in love with a beast or a mortal, When thou wakst, it is thy dear. / Wake when some vile thing is near! Oberon squeezes the juice onto her eyes and Shakespeare uses poetry and rhyming couplets to emphasise the fact that Oberon is using a magical potion in the fairy tale setting of the woods.